Greatest Cricket Moments

Eleven vs Eighteen, Twenty-Two of Locals — The Odds Format of AEE Tours, 1846-49

1847-07-01All-England Eleven vs local 18s/22sAll-England Eleven matches against odds of 18 and 22, 1846-492 min readSeverity: Mild

Summary

From the foundation of the All-England Eleven in 1846 every fixture the eleven played against a local side was contested at odds — eighteen, twenty-two or occasionally even more local players against the AEE's eleven. The format kept the contests competitive for spectators and for promoters' returns; it remained the standard structure of touring cricket for the next forty years, including the first English tours of Australia in the 1860s.

Background

Eleven-on-eleven cricket between an England side and a provincial local team would have been a heavy mismatch in the 1840s. The odds format provided a competitive structure that allowed the AEE to play any local side anywhere in the country.

Build-Up

Clarke understood the commercial logic from the start. His winter 1846-47 fixture-list correspondence with local clubs always specified 'eighteen of [town]' or 'twenty-two of [town]' as the home side.

What Happened

The odds format had been used in country-house cricket for decades. Clarke's contribution was to apply it systematically as the basis of every AEE fixture: the local club fielded eighteen or twenty-two players (sometimes selected from the host town, sometimes including a few professional 'given men' to stiffen the side); the AEE fielded its eleven. The local side typically batted with all eighteen or twenty-two, taking long innings; the AEE bowled fewer overs but had to take more wickets. Eighteens were the standard for stronger venues (Sheffield, Manchester); twenty-twos for weaker (smaller country towns). The format meant that even an inexperienced local side could give the AEE a decent contest — the local club typically won perhaps a quarter of fixtures — and the closeness of the contest was what drew crowds and gate. From 1846 to 1862 the AEE played hundreds of matches at odds; the same format was adopted for the Stephenson and Parr tours of Australia in 1861-62 and 1863-64, and for the Aboriginal tour of 1868. Only when colonial cricket reached eleven-a-side parity in the 1870s did odds cricket fade.

Key Moments

1

1846: AEE adopts odds format from foundation

2

Eighteens at stronger venues (Sheffield, Manchester); twenty-twos at weaker

3

Local sides win c. 25% of fixtures

4

Format adopted for Stephenson Australian tour 1861-62

5

Format adopted for Parr Australian tour 1863-64

6

Format adopted for Aboriginal tour 1868

7

1870s: Eleven-on-eleven becomes feasible as colonial standards rise

Timeline

1846

AEE adopts odds format

1846-62

Hundreds of AEE matches at odds

1861-64

Australian tours played at odds

1870s

Format fades as colonial cricket reaches parity

Aftermath

Odds cricket faded in England through the 1860s as county cricket became established and in Australia through the 1870s as colonial sides reached parity. By the first Test in 1877 odds cricket at international level was effectively over.

⚖️ The Verdict

The format that made professional touring cricket commercially viable for the first time and that remained the standard structure of England's overseas tours until the 1870s.

Legacy & Impact

The odds format is one of the great forgotten conventions of nineteenth-century cricket. Hundreds of major fixtures — including all the early Anglo-Australian tours — were played under it; modern record-keeping ignores them as not first-class, but at the time they were the principal source of professional cricket income.

Frequently Asked Questions

Why did the local sides have so many players?
To make the contest competitive. Eleven leading professionals would have crushed any provincial eleven of the day; eighteen or twenty-two local players gave the home side a fighting chance.
Are odds matches counted as first-class?
No. Modern statistical conventions exclude all odds matches from first-class records, regardless of the quality of the cricket. This excludes hundreds of significant nineteenth-century fixtures.

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